Editorial Picks

August 2026

Five records the editors listened to with their eyes closed. No rankings, no algorithms. Just ears.

  1. Pharoah Sanders — Karma (1969) copertina vinile
    01

    Karma

    Pharoah Sanders · 1969

    picked by Mike G.

    It takes thirty-three minutes and not one less: Karma is a single piece that takes all the time it needs. I put it on when I need a room to change temperature — Pharoah Sanders's tenor moving from a caress to a scream, and Leon Thomas's voice breaking, at a certain point, into that yodel that sounds like nothing else on earth. This isn't background music and it isn't easy music: it's a half-hour prayer. Keep an eye on number 05 below — it's no accident that I picked it too.

  2. Il Balletto di Bronzo — Ys (1972) copertina vinile
    02

    Ys

    Il Balletto di Bronzo · 1972

    picked by Sergio

    Let me be upfront: Ys is not a record you love on first listen, and anyone selling it as an instant classic is lying to you. In 1972 Il Balletto di Bronzo made one of the darkest, densest records in all of Italian prog — Gianni Leone's keyboards looming over everything, an end-of-the-world mood that never lets up. The first time, it bounced right off me; the fourth time, I got lost inside it, and that's when it clicked. Take my word for it: this is a record to be courted, not consumed.

  3. Vashti Bunyan — Just Another Diamond Day (1970) copertina vinile
    03

    Just Another Diamond Day

    Vashti Bunyan · 1970

    picked by Emma

    This is the one I save for mornings when I want the world to slow down. Vashti Bunyan recorded it in 1970 after travelling by horse and cart to the Hebrides, and you can hear it: small, whispered songs, with Robert Kirby's strings and Joe Boyd's production holding them the way you'd cup a bird in your hands. Nobody bought it at the time and she vanished for thirty years; now the original Philips copies are worth a fortune. It's the kind of record crate digging exists for — hunting it down is part of loving it.

  4. Can — Tago Mago (1971) copertina vinile
    04

    Tago Mago

    Can · 1971

    picked by John

    Tago Mago is two records, and they're two different animals. The first is hypnotic groove — 'Halleluhwah' turning over for eighteen minutes and pulling you under, Damo Suzuki muttering, Jaki Liebezeit a drum machine made of flesh. The second is where Can drop you in the dark: noise, tape, musique concrète, the kind of thing that has you reaching for the tonearm the first time. Don't lift it — that's exactly where the album lives, in the nerve to not be pleasant. In 1971, no less.

  5. Nubya Garcia — Source (2020) copertina vinile
    05

    Source

    Nubya Garcia · 2020

    picked by Mike G.

    I'll close with a record only five years old, and I'm doing it on purpose. Nubya Garcia's Source is spiritual jazz for 2020 — London instead of New York, dub and cumbia inside the tenor — but it's the same thread as the Karma I opened with: the same idea that a saxophone can take you somewhere, not just entertain you. Fifty years between the two records, and the same name signing off down here: yes, I chose both, and I wanted you to hear them back to back. Play one after the other and feel how little has changed about what matters.

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