Groov-illa · Gear · PHONO PREAMP
iFi ZEN Air Phono 2
iFi · PHONO PREAMP

iFi ZEN Air Phono 2

~£129
7.8
/ 10
BUY
Sound7.5
Build7
Features8.5
Value8
Specifications
MM and MC phono stageSwitchable gain: 40 dB (MM) / 64 dB (MC)iFi Intelligent Subsonic FilterRIAA accuracy ±0.15 dBEquivalent Input Noise (EIN) −126 dBV (MM) / −146 dBV (MC)Symmetrical layout · output up to 6.5 V · RCA in/out

The phono preamp is the link nobody sees and the one that changes everything: it takes the cartridge's faint signal, lifts it to line level and applies the RIAA curve that gives it balance. If your amplifier has no phono input — and most, by now, do not — this is the box you need. The ZEN Air Phono 2 is our first pick in the class, and it is worth explaining why.

One clarification, because iFi's naming is dense: this is the ZEN Air Phono 2, the second generation of the Air line, not the first ZEN Air Phono nor the plain ZEN Phono (without "Air"), which is the step up. The distinctive trait of the "2" is the noise: an ultra-low floor, among the quietest in the class.

01

Context

iFi is a British brand known for squeezing technology from far dearer machines into small, affordable boxes, and the ZEN Air Phono 2 — released in spring 2026 — is the textbook example. It is the entry version of its phono-stage range: above it sits the full ZEN Phono, in aluminium, but it is the Air that covers the entry class with almost all the functions that matter.

In our ranking of phono preamps under €200 it takes first place, and not for the price — it is not the cheapest — but for how far it carries you. It is the preamp that grows with you.

02

Design & build

It is a palm-sized object, with a metal front fascia in iFi's characteristic midnight-blue finish: not a plastic brick, but not the full aluminium of the higher ZEN Phono or the Alva Solo either. For the class it is a careful build, and it looks good on show.

Inside, though, is the substance: a symmetrical channel layout that gives benefits similar to balanced circuitry — less crosstalk, better separation — which is rare at this price, with custom OV-series op-amps and a high-current power supply isolated from the amplification stage. That is where the quiet comes from. Connectivity is essential: RCA in and out, 5 V power via a DC socket (cable included), consumption under 2 watts.

03

Sound analysis

The job of a good phono preamp is not to have a character, but to disappear: to let the cartridge through without adding or subtracting. The ZEN Air Phono 2 does it well, and its weapon is silence. With a quoted input noise of −126 dBV on MM and −146 dBV on MC, the background is black, and on a quiet recording — a solo piano like Bill Evans's Peace Piece — that is where you hear it: the low-level detail, the decay of the notes, the air of the room emerge instead of drowning in hiss.

The RIAA accuracy at ±0.15 dB keeps the tonal balance correct, without inflation. It is not the preamp that "colours" or "warms" — for that there are boxes with a more marked temperament — but it is transparent and clean, and in the entry class transparency is worth more than character. It is a clear step above the phono stages built into budget turntables and amps.

04

Vinyl performance

On vinyl its worth shows in two concrete situations. The first: warped records. iFi's intelligent subsonic filter does not cut the bass like traditional filters — it distinguishes the vertical movement caused by the warp from the musical content, and removes only the former, leaving bass and dynamics intact. A slightly tired record plays clean without losing body.

The second: the cartridge change. Thanks to the switchable gain — 40 dB for MM, 64 dB for MC — the ZEN Air Phono 2 follows your system as it grows. Start with a cheap MM today, move to an MC tomorrow, and the preamp is already ready: you do not rebuy it. It is the reason we call it "the box you will not outgrow".

05

Value & competition

Here first place is justified. In the sub-€200 class, the ZEN Air Phono 2 competes with the Pro-Ject Phono Box E, the Rega Fono Mini and the Cambridge Alva Solo, and beats them for a precise reason: versatility. The Phono Box E is cheaper and does its job very well, but it is MM only and does not adjust — it is the honest entry point, not the one that follows you as the system grows. The Rega adds a USB port for digitising records. The Alva Solo is the more carefully made object, all metal, but it too is MM only and not adjustable, with a leaner character.

The ZEN Air Phono 2 brings together what the others have separately: MM and MC, adjustable gain, an intelligent subsonic filter and the lowest noise of the group, at a figure only slightly above the pure entry. It is not the cheapest nor the best-looking: it is the one that covers the most use cases and lasts longest in your system. That is why it is first.

06

In the vinyl chain

It is the piece needed in a precise situation: a turntable without a phono stage and an amp without a phono input. Many quality turntables — a Rega Planar 1, a Pro-Ject Debut — ship without a built-in phono stage to avoid compromising it with on-board electronics; and most modern amplifiers have lost the phono input. The ZEN Air Phono 2 fills exactly that gap, between the cartridge and the amp's line input.

In our turntable ranking you will find several models that call for it, and in a chain built piece by piece — the idea of the £800 system — it is the link that gives you the freedom to choose amps without phono and cartridges of any type. With its MM/MC compatibility, it is the preamp that does not force premature decisions about the rest of the system.

Pros
  • MM and MC with switchable gain (40/64 dB): grows with the system
  • Intelligent subsonic filter: removes the sway of warped records without hollowing out the bass
  • Ultra-low noise floor (EIN −126/−146 dBV) and RIAA to ±0.15 dB
  • Symmetrical layout and custom op-amps: technology rare at this price
Cons
  • Good build, but not the full aluminium of the Alva Solo or the higher ZEN Phono
  • Not the cheapest in the class (the Phono Box E costs less)
  • Transparent rather than warm: those after a marked character look elsewhere
  • Confusing iFi naming: check it is the 'Air Phono 2', not the plain ZEN Phono
Recommended pairings

Turntable: any model without a built-in phono stage (Rega Planar 1, Pro-Ject Debut and the like). Cartridge: MM today, MC tomorrow — set the gain accordingly. Amplifier: any with a line input (AUX), even without a phono input. Connect the cartridge to the preamp's RCA in, the RCA out to the amp, and you are set.

Verdict

Buy the ZEN Air Phono 2 if you want a phono preamp you will not have to change again: it handles MM and MC, has the smartest subsonic filter in the class, an ultra-low noise floor and an RIAA accuracy that keeps the tone correct. At a little over a hundred euros, it is the most versatile and future-proof box under €200.

If you are certain you will stay on MM forever and only want the cheapest input, the Pro-Ject Phono Box E is enough and costs less; if you want the most carefully made object, the Alva Solo is prettier. But for most people entering vinyl today — and for anyone who plans to upgrade the cartridge — the ZEN Air Phono 2 is the choice that covers everything. It is our number one, and it holds the position.

iFi ZEN Air Phono 2 ~£129
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iFi ZEN Air Phono 2
FAQ
What is a phono preamp like the ZEN Air Phono 2 for?
To lift the cartridge's very faint signal to line level and apply the RIAA curve. You need it if your turntable has no built-in phono stage and your amplifier has no phono input — the most common situation with modern amps. Without it, the cartridge sounds too quiet and unbalanced.
What is the difference between the ZEN Air Phono 2 and the ZEN Phono?
The Air line is the entry one, cheaper, with a metal front fascia; the plain ZEN Phono is the step up, in full aluminium and with more options. The 'Air Phono 2' is the second generation of the entry line, released in 2026, and stands out for its very low noise. Always check the listing is the right version.
Does it work for both MM and MC cartridges?
Yes: it has a rear gain selector with two positions, 40 dB for moving magnet and 64 dB for moving coil. It is one of its strengths: you can start with an MM and move to an MC in future without changing the preamp.
Does the subsonic filter ruin the bass?
No, and that is the point of 'intelligent'. Traditional subsonic filters cut all the low frequencies to remove the sway of warped records; iFi's distinguishes the vertical movement caused by the warp from the musical content, and removes only the former, leaving the real bass intact.
Mike G.
Written by
Mike G.
Audio, Tech & Gear
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